Category Archives: Literary magazines

Story news, writing courses & book reviews

Lots of updates!

My longish short story, The Iceberg, has been accepted for publication by Alt Hist magazine (for historical and alternate history fiction). It’s based on an amazing true story about a relative of someone lost on the Titanic who was later accused of war crimes. The magazine will be available in print or as an e-book: more info on Alt Hist at http://althistfiction.com/

Another story, Night Shift At The Cessnock Psychic Centre, has just been published by literary journal Gutter, in issue 9 available here: http://www.freightbooks.co.uk/inrude-health.html. It includes wild misreadings of tarot cards.

And my story The Comeback Tour, which is about a zombie rock star (you can’t say my subject matter isn’t varied, can you?) has been shortlisted in Almond Press’ competition for post-apocalyptic fiction. It will be published in their forthcoming e-book anthology After The Fall, which will look like this: http://www.almondpress.co.uk/

I’ve been trying to submit more lately and it seems to be paying off – I have fewer finished stories sitting around homeless!

From 1st October, I am due to teach a new 8-week course at Glasgow University’s Open Studies dept called Planning To Write?: How To Research, Structure And Craft Your Story. I’ll say more about this class nearer the time, but basically it’s for anyone who has an idea for a book, story or non-fiction project but isn’t sure how to get started, so it will look at research methods, structure, techniques and planning. Please alert anyone you think might be interested: info at http://www.gla.ac.uk/courses/openstudies/ under Creative Writing. The course is scheduled to continue in January and will also run at Strathclyde University next year.

AND from 30th September, I am also running the latest in my Now Read The Book courses – this time on short stories which have been adapted to film and including The Birds, Memento, The Shawshank Redemption, The Curious Case Of Benjamin Button and others. Part two (with different stories/films) will run in January. Info as above, under Literature. With all my Open Studies courses, there is a fee but they are also eligible for ILA funding and concessions.

Two more literary events which I’m hoping to attend: Pitch Live, organised by NAWE (which includes my writing coach Philippa Johnston), which is a masterclass for emerging novelists on 21st September in Edinburgh. Excellent speakers and the chance to pitch your novel at publishers and agents, with feedback: details at http://www.nawe.co.uk/DB/events/nawe-present-pitch-live-a-masterclass-for-scotlands-emerging-novelists.html
And on 5th September, the Scottish Book Trust are holding a seminar on ‘Navigating Publishing’ also in Edinburgh – I think there are still some places left, check with them at http://www.scottishbooktrust.com

FINALLY, some recent book reviews & previews what I wrote:
Fair Helen by Andrew Greig: http://bit.ly/16xk4PO
A Night In Winter by Simon Sebag Montefiore: http://bit.ly/14V2Lmi
(both Scotland On Sunday)
Neurocomic by Dr Matteo Farinella & Dr Hana Ros: http://www.list.co.uk/article/54229-dr-matteo-farinella-and-dr-hana-ros-neurocomic/
My Notorious Life By Madame X by Kate Manning: http://www.list.co.uk/article/51087-kate-manning-my-notorious-life-by-madame-x/
A Wolf In Hindleheim by Jenny Mayhew: http://www.list.co.uk/article/51048-jenny-mayhew-a-wolf-in-hindelheim/
Book Festival previews:
Fairest 2: Hidden Kingdom by Lauren Beukes & Inaki Miranda: http://edinburghfestival.list.co.uk/article/54285-fairest-2-hidden-kingdom-reimagines-rapunzel-as-an-anime-heroine/
50 Shades Of Feminism: http://edinburghfestival.list.co.uk/article/54285-fairest-2-hidden-kingdom-reimagines-rapunzel-as-an-anime-heroine/
(all The List magazine)

Phew!

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Filed under Competitions & Awards, Literary happenings, Literary magazines, Reviews, Stories, Teaching, Writing

So, where am I now?

Firstly, here’s a blog I wrote for The Scotsman on the first Edinburgh Historical Fiction Festival this weekend (it’s below the one about ‘Thatcher’s musical legacy’).

The shortlist has just been announced for this year’s Commonwealth Short Story Prize and Granta will again be publishing the regional winners – I’m looking forward to reading them and wish them all best of luck! In the meantime, Granta have published short updates on the five of us from last year and you can read it here if you like: ‘Where are they now?’ Or, if you’d rather not be scared by a horrible photo of me, I thought I’d put up my original answers to their email questions, which had to be understandably cut down for publication. I hope it doesn’t seem too self-indulgent, but for me anyway it was an interesting exercise to think about how to answer these. Especially the last one.

How has the experience of being selected by Commonwealth Writers and having your story published by Granta altered your perspective of yourself as a writer, if at all?
Oh, it was such a boost. I really believed in this story but it’s a bit of a strange one, so it was amazing to have someone else – especially people as eminent as the Commonwealth judges – say that they got it and they enjoyed it. It really gave me confidence that I was on the right track: I know I have a lot to learn about writing, but this award said that I could do it. I went down to the Hay-on-Wye book festival for the official announcements and it felt like a small taste of a potential future. And, honestly, the prize money came in handy too. The only downside was having to provide a photo for the publicity. Ugh.

Granta was the first literary magazine I ever read, or even heard of, back in 1990. I still have those first issues on my bookshelves. So for me to have a story published under the same imprint (albeit online) as all the big beasts of contemporary literature is something so special that I’m almost embarrassed to talk about it. I was very, very pleased and it has been the highlight of my writing career so far. It was also lovely just to see it laid out on the screen page, with pull-quotes and that beautiful photograph to illustrate it.

Has anything resulted directly from your story being published by Granta and/or winning the Commonwealth Short Story Prize?
Since the story was published, I’ve been approached through my blog by a couple of agents wanting to discuss my work, had someone want to translate it and even heard from a cousin abroad whom I haven’t seen in 25 years!

What are you working on at the moment?
I have been developing The Ghost Marriage into a novel, with substantial changes. It’s a long process, but I’m making good progress so I hope to finish by the end of this year and then try to get it published. But I also take breaks from the book to write short stories, on all kinds of subjects – from working in a call centre to a WWI war crimes trial to a zombie rock star.

How did you find the experience of having your work edited?
Great – I just want my stories to be the best they can be. An outside perspective helps make sure that everything’s coming across clearly, so the reader knows what they need to know but the story still has space for ambiguity and imagination. I’m used to being edited anyway because I have a journalism background, but there you don’t tend to get much of a say about it! Fiction allows for so much more nuance and multiplicity of meanings, so there has to be a bit more of a discussion between writer and editor. It’s more personal, yet you don’t want to be self-indulgent, so there’s almost a collaboration going on.

If you were in a band, what would they be called?
The Procrastinators. We’d rehearse a lot but never get around to playing any gigs.

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April update

First up, I have a story called Holding On in the first issue of an exciting new international magazine, Ekto. What’s different about it is that it was started by writers and translators to share stories across language barriers; each of the 12 tales appears both in its original language and in the three others – isn’t that a great idea? So mine has been translated into Spanish, French and Japanese – if you happen to know any of these languages, I would love to hear how it works in translation. If not, just read it in English! The issue can be downloaded free at their site linked above.

I wrote this story a few years ago and it’s loosely based on the ballad of Tam Lin. A lot of writers have made versions of this tale: the most fascinating to me is Fire And Hemlock by the wonderful Diana Wynne Jones, one of my favourite writers. I was lucky enough to spend a few hours talking to her some years ago (she died in 2011) for an interview and – though I never, ever do this – got her to sign my copy of Fire And Hemlock. I absolutely treasure it. She was delightful as well as a brilliant writer.

Also this month, I wrote an article about the TV show Game Of Thrones – as always it’s hard to write about something you really love, especially for a general readership like The Scotsman’s which may not know the show, but I tried my best to convey how awesome it is. It includes an interview with Rory McCann who plays the Hound. He was a nice chap, very sincere, and I found what he said about preparing for the role really interesting: I think developing this kind of intense focus can be helpful for anyone who has something they want to do really well, whatever it is. Traditionally I have been very bad at doing that, at shutting out the world, but in recent months my focus and structure around work has been getting better – I’ll write more about this in a while, once I’m sure it’s a permanent change.

Yet having said that, I have also recently started using Twitter, which is the antithesis of shutting out the chatter. I’ve had an account for years but never posted, because basically I don’t really like the format of it: it’s got better now that you can follow conversations, but the scrolling layout and the awkwardness of having to open up half of the tweets is kind of a pain. Also, I’ve followed a few famous tweeters and yet they annoy me because when they tweet to their celebrity mates it feels like they’re all showbiz chums together in a big VIP area. Obviously I’m being unreasonable – of course well-known writers/journalists/actors know each other, I know a few myself, why shouldn’t they chat? – but rationalising away the little twinges of irritation I get seems a waste of time.

So why am I on Twitter? To be blunt, it seems necessary – for a writer and a hack, there is clearly a lot to be gained from the connections and information there. Already I’ve followed links which have genuinely been professionally useful, as well as interesting or funny. The key must be to use Twitter properly, not to let checking it every ten minutes take over one’s life, not to follow too many people or go down too many rabbit holes, as I know I have a tendency to become compulsive about these things. I’ve spent, literally, years on discussion forums (although I have made some great real-life friends there). The last thing I need is more internet distraction. So I am trying to think of this as a sort of experiment at present to see how it goes. I’m @Pandrea100 if you want to chat, or convince me that Twitter is either the best thing since wi-fi or the work of the procrastination devil. Please say hello!

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Highgate & Radio

Just a quick update of a couple of new things this week:

I have a spooky little ghost story, Highgate, in the new issue of the lovely publication Luna Station Quarterly, which specialises in speculative fiction by women writers. It can be read online here or there are download editions to buy (with a beautiful illustration). Thanks to Jennifer Lyn Parsons and the editors there.

The story came out of my fascination when younger with the Pre-Raphaelites and their world … I’ve moved on from a lot of the work, but I still absolutely love William Holman Hunt’s paintings. We know Lizzie Siddal primarily through the images of her by others, but here is a rather stunning self-portrait: doesn’t she look fierce!

Image
(image from LizzieSiddal.com)

In other news, I’m on the Shereen Show on Radio Scotland tomorrow morning, discussing the big news stories of the week (Vicky Pryce, Cardinal O’Brien, processed meat, Hugo Chavez, payday loans and Eurovision – how’s that for variety?) with Graham Spiers, Martin Geissler and Peter Ross. I think this is my sixth time on the show now, it’s always really lively.

Off to Ladyfest Glasgow tonight to celebrate International Women’s Day.

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31 submissions

Well, lately I have just been racking up story rejections. As any fule kno, this is actually good, because it means I am writing and submitting stories, right? Yeah, it doesn’t feel that good though.

So! I have decided to be proactive. I have a bunch of finished stories sitting around which have not been published, some of which I have never even sent out, as well as a bunch which need revision. I write to be read, so I’d really like them to be out there somewhere. And some of these stories mean a lot to me – I’m not saying they’re the greatest stories ever written, but I’m proud of them and I’ve put a lot of work into getting them right. My goal for this month, therefore, is to really try my hardest to find them homes, something about which I tend to be a bit lackadaisical.

Therefore, I am setting myself a totally arbitrary challenge, which I shall dub Andrea Story Submission Month or AnStoSuMo, in a blatant ripoff from NaNoWriMo (which I am not doing, but good luck to all who are). That is, I vow to submit 31 stories to magazines, websites, competitions or anthologies by the end of November.

My rules: I don’t have 31 completed stories, so some will be multiple submissions where allowed. And I’m going to try to make them all worthwhile ones, that is, to places I like, read and actually want to be published by – I’m not that interested in racking up credits for the sake of it, in Random Read By No-one Magazine or ObscureRubbish.com (hey, I could just put them online here if that counted). I’m not saying I expect to be published by the New Yorker or something! Just that I want it to be a place where my stories fit. And most likely, to find 31 places which are currently accepting submissions of a word count or theme which fits a story I’ve written, I’ll have to widen my usual horizons and find some new, interesting publications, so that’ll be all to the good.

I’m also not going to pay competition fees unless it’s a really major competition or in aid of a good charity; I understand why people set these, but I don’t have the cash to do too many and beside, it would go against the spirit of this, which is to fire away so many submissions that I stop worrying about them individually. No watching the email inbox anxiously wondering when someone will reply, no allowing a rejection to cast me down and stop me writing that day, just keep going to meet the target. And surely, if I make 31 submissions by the end of the month, surely I’ll get at least one acceptance? Surely?!?

I’m quite excited about this, let’s see how it goes. Any suggestions of new places to submit are welcome!

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‘The Goode Daughter’ published in Algebra

I have a story called The Goode Daughter in the new Algebra which is the literary journal of Tramway, the Glasgow arts venue. It’s set during the Salem Witch Trials and has rather idiosyncratic spelling to reflect the times and the character. I’d love to know what you think of the story.

I was asked to record an audio version which was daunting but fun, especially as it was recorded sitting on a toilet (seat down) in a small bathroom reading into a screen microphone whose lead trailed out under the door. Very much like the experience of Colin Firth in The King’s Speech, except on a rather different kind of throne. Sadly I wasn’t quite able to manage an authentic 17th Century accent, my voice sounds very, very Scottish indeed – do I really talk like that? Thanks to Sean, the sound engineer, for his patience and for letting me put the audio file here (you can also hear it on Tramway’s site).

Thanks also to Algebra’s editor Beatrice Colin. The other stories in Issue 3 are really excellent and I’m happy to be among them.

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My Cunning Plan

I really wanted to get something published in Gutter because it’s a fine, impressive publication – plus contributors get free copies for two years, which is nice. But I know they get lots of submissions … however, I figured that they probably get a lot of long stories and perhaps poems, yet they need a variety of page lengths to fill up the issue. So I sent them a story that can run on one or perhaps two pages only, in the cunning hope that it would perhaps have less competition. And it worked! I’ve just heard that World Enough And Time will appear in their next issue, Gutter 05. Bwah ha ha ha!

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