Happy to announce that I’ve got another story accepted by leading Scottish literary journal Gutter for their next issue, which comes out in time for the Edinburgh Book Festival (around which I am available for readings, events and bar mitzvahs). It’s a story I’m particularly pleased to have published, so please read it when it comes out if you can. Some very distinguished company surrounds it and the full line-up is here: Freight Books.
I wrote a wee story about my childhood gullibility for National Flash Fiction Day, which was Highly Commended in their contest: read Lost For Words and all the winners here: MicroFiction Competition 2013. Thanks to Calum Kerr for these cool postcards showing my story, which you can see here: NFFD
And I also was a contest winner at fairytale magazine Enchanted Conversation, for a short piece that is not so much a story, more a character study or a meditation on Rumplestiltskin, one of my favourite mythological underdogs. Read it, with a lovely illustration, here: You Know My Name.
Thanks to Kate Wolford for my prize and for sterling efforts to publish it in the face of computer trouble. Check out her book of neglected fairytales, Beyond The Glass Slipper, while you’re at the site.
In other news, I’ve just finished four months of working with coach Philippa Johnston under a programme called Coaching For Glasgow Writers, supported by the agency Glasgow Life. This has been one of the best things I’ve ever done to improve my writing life: not my writing as such, but the ways of going about it, of directing and structuring creative ideas and professional development in all areas of my rambling freelance life of writing journalism, fiction and teaching. I’ve never done anything like this before; as a journalist, after my post-grad, you tend not to have the opportunities for continuing training that other professions have (and, these days, we’re just barely clinging on to it as a profession). And while I’ve found writing classes and workshops very helpful in the past, it was really thought-provoking to have these one-to-one sessions, being (gently) encouraged to think through problems and obstacles and to look for solutions rather than just flail around hopelessly, assuming that there was no other way, or that if I just kept trying harder to do things in the same way, magically it would somehow eventually work. I won’t go on too much about the specific things I worked on with Philippa for now – maybe another time – but just want to recommend her coaching, in particular, but probably any similar programme in other areas too, for anyone who shares my problems of procrastination, disorganisation, juggling jobs and trying to make writing a career. A good place to start might be: The Writers Compass. Final thanks to Philippa, for listening so well and keeping me on track.
What a link-tastic post! Oh, one more thing: I am on BBC Scotland’s The Culture Studio on Thursday afternoon, talking about new films including The Internship and Now You See Me (from 2pm, 4th July). I’ll also be back on the Shereen show on 20th July, despite making a TERRIBLE Iain Banks faux pas last time I was on a couple of weeks ago (mixed up the opening lines of The Wasp Factory and The Crow Road! How could I! Love Iain Banks and very sad to hear about his death). No mistakes next time, I promise …
Andrea Mullaney 